Blar i forfatter "Fonneland, Trude"

Viser treff 1-4 av 4

    • Animals in Saami Shamanism: Power Animals, Symbols of Art, and Offerings 

      Fonneland, Trude; Äikäs, Tiina (Journal article; Tidsskriftartikkel; Peer reviewed, 2021-04-07)
      In this paper, we study the role of power animals in contemporary Saami shamanism and how past and present are entwined in the presentation of power animals. In the old Saami worldviews, in addition to animals, spirits and sacred rocks (sieidi, SaaN) were also considered to be able to interact with people. Animals were an important part of offering rituals because livelihood and rituals were ...

    • Indigenous Religions in the Sixth Missionary District: The Case of the Hillsa Drum 

      Storm, Dikka; Fonneland, Trude (Chapter; Bokkapittel, 2022)
      Sámi drums are central in understanding the indigenous religions in earlier Sámi societies.1 The recently reported find of the goavddis (drum) from Hillsá opens for a view into a complex religious world in a period of religious change and transformation. We believe the goavddis is an important object that can help shed light on Sámi cultures in the past and present, as well as contribute to new ...

    • Introduction: The Making of Sámi Religion in Contemporary Society 

      Fonneland, Trude; Äikäs, Tiina (Journal article; Tidsskriftartikkel; Peer reviewed, 2020-10-23)
      This Special Issue of Religions approaches “Sámi religion” from a long-term perspective seeing both the past religious practices and contemporary religious expressions as aspects of the same phenomena. This does not refer, however, to a focus on continuity or to a static or uniform understanding of Sámi religion. Sámi religion is an ambiguous concept that has to be understood as a pluralistic ...

    • Religion-making in the Disney feature film, Frozen II: Indigenous religion and dynamics of agency 

      Fonneland, Trude (Journal article; Tidsskriftartikkel; Peer reviewed, 2020-08-21)
      This paper explores the religion-making potential of a particular secular institution, namely the Walt Disney Studios. Focusing on the animation film Frozen II that was launched in November 2019, the current article enters into debates about the manner in which indigenous religion is part of the commodity presented - how religion is produced, packaged, and staged. In the article I argue that ...